This standard is about mixing sound during post-production, also referred to as “re-recording mixing” or “dubbing”.
It involves the assessing, selecting, balancing and treatment of sound that has been organised on tracks, to achieve the level, tonal quality, audio image and intelligibility required.
This standard should apply to anyone who is involved with mixing recorded sound in post production.
Performance Criteria
You must be able to:
assess characteristics of sound tracks
adjust individual sound tracks to achieve the desired intelligibility, position and image in terms of required sound
position and balance sound to achieve desired creative and aesthetic effects according to director’s or other decision makers’ vision
achieve appropriate transitions between sound and music
control levels of composite signals within technical limits and within desired dynamic range
manipulate sound tracks to achieve appropriate level, balance, tonal quality, perspective and dynamic range
create sound mixes within time, budget and other production constraints
make critical judgments about, and control, audio quality against agreed artistic and technical standards
create mixes which are appropriate to the context in which they will be heard
create sound mixes that present the characteristics of individual sounds and atmospheric sound in line with briefs
check and confirm that sound files comply with legal limits and standards for distribution and delivery
identify and correct any problems in creating mixes
interpret suggestions and requests from decision makers in line with organisational procedures
suggest options to decision makers which satisfy both artistic requests and the operational requirements of productions
organise components of mixes for later use
check that paperwork conforms with conventions that will be understood by other mixers, sound technicians or studios
explain technical issues in ways that enable non-technical people to understand their significance
maintain security for files and other materials in line with legal and organisational requirements
Knowledge and understanding
You need to know and understand:
production, technical and financial requirements
principles of sound editing
the use of software programmes required for sound editing
requirements for dynamic range
criteria for evaluating sound mixes as they are created
the context in which mixes will be played, and how to take this into account when creating them
the different kinds of sound treatment and equalisation, and how to achieve them
the characteristics of tonal quality and perspective, and how to achieve them
relevant acoustic principles and how to apply them
characteristics, uses and requirements of mono, stereo and surround formats, and how to achieve them
the features and operating characteristics of commonly used mixing, ancillary and encoding equipment
the legal limits and standards for sound files for distribution and delivery especially in relation to loudness, immersive audio and metadata and how to work creatively within them
the importance of audibility of dialogue especially with regards to the impaired hearing of an ageing population
effective strategies to enhance dialogue audibility
how to recognise defects in monitoring systems
the director’s or other decision makers’ creative and aesthetic requirements
how to discuss and respond to the decision makers’ creative and technical requests
how to interpret requests and suggestions in terms of specific genre or style of sound mixes
the principles of “storytelling” as they apply to all forms and genres
the conventions of different genres and styles of film and programme-making
the principles and styles of music and different musical ensembles including orchestra, string quartet, rock group, jazz quartet and soloist
how to explain technical issues to non-technical people
legal and organisational requirements for storage, back up and security of files and other materials
Overview
This standard is about mixing sound during post-production, also referred to as “re-recording mixing” or “dubbing”.
It involves the assessing, selecting, balancing and treatment of sound that has been organised on tracks, to achieve the level, tonal quality, audio image and intelligibility required.
This standard should apply to anyone who is involved with mixing recorded sound in post production.
Performance Criteria
You must be able to:
Knowledge and understanding
You need to know and understand: