Overview

This standard is about supervising the edit of a television production. This could be for the complete series, individual programme or inserts to be incorporated.

It is about working with the on-line and off-line editors and the dubbing mixer, ensuring all clearances are in place. It also involves working collaboratively with senior personnel to ensure the desired vision is achieved in the final product. You will need to take on board both the technical needs of the post-production team, as well as the creative requirements of the production.

You may not have the time or resources to prepare a paper edit. You will therefore have to have other documentation in place to refer to during this process.

You will also need to know the differences in clearances for using programme music and title music. You will need to check durations and timings if you are working with inserts and liaise closely with the Series Producer and editor.

This standard is for Production Managers and Line Producers.

 

Performance Criteria 

You must be able to:

  1. identify content of view rushes and takes
  2. select and log interviews and actuality that meet requirements
  3. compile relevant documentation to refer to throughout the edit
  4. work with post production team members to meet post production requirements
  5. exchange information with post production team members as required
  6. liaise with the channel or commissioner throughout the edit process
  7. check and confirm that the selected voice over take fits the picture in both duration and tone, without deviating from the agreed script
  8. ensure commentary scripts are of the required content and length
  9. give graphic designers information about requirements for opening titles, credits and captions and approve the finished work
  10. create publicity material to meet production requirements
  11. check content for compliance with legal, ethical and regulatory codes, and with the broadcaster’s requirements

 

Knowledge and understanding

You need to know and understand:  

  1. how to structure the content in a way that best tells the story
  2. the need for preparation and documentation and the financial implications of starting an off-line edit without these
  3. the principles of how the script should complement the pictures
  4. how the tone and style of the programme should be appropriate for the programme genre and transmission slot
  5. when to liaise with the channel or commissioner during the edit process
  6. the use and importance of music in the soundtrack
  7. the logistical and financial implications of using different music sources
  8. the differences in clearances for using programme music and title music, and whether special permissions are required for titles music
  9. how to oversee a voice over recording session
  10. how to write scripts for commentary both by yourself and with a presenter
  11. what source material may be needed by the graphic artist
  12. how to recognise opportunities for publicity stills, copy and online presence
  13. what information to include in publicity material including billings
  14. the legal and ethical issues that affect broadcast material, and how to seek advice about potentially sensitive material
  15. how to work collaboratively with other people
  16. how to give clear directions whilst being open to other people’s suggestions